|At best provocative. Tracey Emin's My Bed - |
Foto: Tate Liverpool
Putting the works of two artists together in an exhibition is always a risky thing to do and I am not sure Emin's work will ultimately benefit from this recent attempt to draw parallels where there are few or none. What the exhibition demonstrates most of all is the enormous explosive imagination of Blake and his breathtaking artistic inventiveness that allowed him to borrow (and shape) mysticism and philosophy even centuries later. In contrast, Emin's Bed looks at best 'provocative' rather than a piece of groundbreaking or revolutionary art.
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The comparison finally grinds to a screeching halt in a second room where Emin's prints are juxtaposed to some of Blake's. The comparison is not a kind one to Emin and cruelly demonstrate the lack of depth and artistic vacuity of her print work. The exhibition should act as a warning to potential curators: do not match up what is best kept separate.